Groundings #2: Composing the Near And the Far by Grégory Castéra

AFIELD Fellows 2021 Rojava Film Commune. The kids watching at screening project ‘Cinema is in your Neighborhood’, The Democratic Self-Administration of Rojava (North and East Syria), 2017, courtesy Diyar Hesso
Composing the Near And the Far by Grégory Castéra (PDF)
Intro by the author

Written following an invitation to share my work linked to the public(s) of art, this text continues my reflections on the transformation of cultural organisations and curatorial work by principles taken from political ecology. By building on the experience of different projects carried out over the last ten years, and of the effects of the COVID-19 pandemic on my practice, it explores how the far and the near can be in relation with each other and not in opposition, and lays out this proposition: with artistic means, the composition of publics beyond territorial and disciplinary borders can allow the renewal of political imagination.

About the author

Grégory Castéra is a curator, educator, and editor working in the field of contemporary art. His work reflects on the transformation of art practices and organisations through political ecology. In 2020-2022, he inquires about the application of symbiosis to cultural organisations, and commutes between Paris and Stockholm. Castéra is the co-founder and director of Council; guest professor of collective practices at The Royal Institute of Art, Stockholm (2020—); co-editor of T.A.N.J. (The Against Nature Journal) (along with Aimar Arriola and Giulia Tognon, 2020—); and infrastructure and project advisor for the Kerenidis Pepe Collection in Paris and Anafi. Before this, he served as coordinator of Bétonsalon (2007-2009), co-director of Les Laboratoires d’Aubervilliers (along with Alice Chauchat and Nataša Petrešin- Bachelez, 2010-2012), and member of the collective The Encyclopedia of Spoken Words (2007-2014). Recent curatorial projects include the exhibition Shoreline Movements (along with Erika Balsom, Taipei Biennial, 2020-2021), the forum Collectively (along with Raimundas Malašauskas, Claire Tancons and Kathryn Weir, Iaspis, Stockholm, 2019), the exhibition Infinite Ear (Bergen Assembly, 2016, Garage Museum for Contemporary Art, Moscow, 2018, CentroCentro, Madrid, 2019-2020) and the network AFIELD (2014—).